Location Sound Recordist
Broadcast • Documentary • Commercial Productions
UK-based Location Sound Recordist providing clean, reliable production sound for broadcast television, documentary and commercial productions across the UK and internationally.
→ Check availability for your shoot
Call: +44 (0)7801 269 578 | Email: justsound@hotmail.com
Production Sound Services
Professional location sound recording for broadcast television, documentary film making, branded content and commercial productions. Experienced in interview recording, on-location dialogue capture and fast-paced production environments. 15+ years delivering broadcast-quality audio for BBC, Sky, PBS, VPRO and Channel 4 — from single-camera documentaries to multi-camera branded content.
Fully equipped owner-operator. Calm under pressure.
Selected Clients & Credits
![]() | ![]() | ![]() |
|---|---|---|
![]() | ![]() | ![]() |
![]() | ![]() | ![]() |
![]() | ![]() | ![]() |
![]() | ![]() | ![]() |
![]() | ![]() | ![]() |
![]() | ![]() | ![]() |
![]() | ![]() | ![]() |
![]() | ![]() | ![]() |
Previous Work Examples
Press junket day in London with Florence Pugh ushered from one room to another giving interviews about her new film. Time is very limited as usual, being prepared is key as it's hard to predict when the star will make an appearance.

Lewis Hamilton touring UTP in Malaysia. This multi camera shoot of the event required blocking thoroughly ahead of time and I ensured all participants on camera wore a microphone. There wasn't going to be any second re-takes and it was important that filming kept discreet, so as not to disrupt the flow of the tour.

Understanding Autism is a feature length Documentary broadcast on PBS, in the USA. I was hired as the UK Sound Recordist responsible for capturing clean audio in a variety of locations.

The Oil Machine is a feature length documentary initially broadcast on BBC Scotland. The interviews I recorded sound for included Professor Sir David King at Cambridge University. The room wasn't ideal for sound recording as it had too much reverb, but with a closely hidden lapel mic, we managed the situation.

Sound Equipment
All kit personally owned and maintained.

Recorders
Sound Devices 664, 633, Mix pre 6, Tentacle Track Es (Timecode enabled bodyworn recorders with Sanken lapels)
Wireless Microphones
Lectrosonics & Wisycom receivers / transmitters (with Sanken Cos 11 lapels)
Microphones
Sennheiser MKH 416, 60, 40, MD46. Sanken CS-M1 and Cubs (plant mics)
Timecode
Tentacle Sync Boxes & Denecke Timecode Slate
Camera Hops
Lectrosonics DCHT / DCHR (Stereo) & Sennheiser G's (Mono)
IEM's
Sennheiser G's & Lectrosonics MR2's













































